Fun Cures
for Writer's Block

A random prompt

A pinch of words

 

Tel: 028 271 3349
email: info@anneschuster.co.za
anne@kingsley.co.za
anne.awry@gmail.com
Address: PO Box 70
Kleinmond
7195

Publications

KILIMANJARO ON MY LAP

by Epiphanie Mukasano
published by DAKINI (May 2010)

This collection of poems by Epiphanie Mukasano is edited by Gabeba Baderoon who says on the cover:

In Kilimanjaro on My Lap Epiphanie Mukasano has written a collection of poetry as sanctuary. The stories and images recounted here are honest in their recollection of suffering, yet do not dwell there nor seek too quick a solace. Indeed, they feel both necessary and serene. In the collection, the speakers contemplate the buffeting political forces that have displaced them and the distances they have travelled since. Even more than war, the poems reveal the breathtaking power of poverty to render people invisible. Poetry's power is to unveil its speakers. Atop the highest mountain on the continent, taken for a beggar with neither history nor significance, a speaker surveys the world before her with clear and encompassing grace. Her lucid and compassionate view of the world, burnished by memory and unstinting labour, makes a sanctuary out of hard ground. This is a collection of rare accomplishment by a welcome new poetic voice.

About the author:

EPIPHANIE MUKASANO is originally from Rwanda where she used to be a teacher. She has a Master's degree in English Literature and now lives as a refugee in Cape town with her husband and children. Her poems have been published in Living on the Fence (2007), and she contributed a story to the collection of birth stories Just keep breathing, published by Jacana in 2008. Most recently, Cambridge University Press has published her children's story Shema and the goat (2009).

WRITING THE SELF

An anthology of new writing from Women's Writing Workshops.

Compiled and edited by Anne Schuster, Maire Fisher and Annemarie Hendrikz.

INCLUDES: Writing your Self – working with poetic forms through a selection of writing exercises from Anne Schuster's writing workshops.

'Writing the Self was born from exploring the seven chakras or energy centres of our bodies. 'Grounding the writing in the body … the writers discovered the source of creative energy within themselves.'

Anne Schuster's workshops for women are magical, honouring writing as an important act of creation. The diverse writing in this anthology reflects that magic.'

- Pregs Govender

'What a rush! A heady and released outpouring! A freeflow of women's words, experience, expression and emotion. It's like drinking from a river of creative energies and discovering the well-spring source at the same time.'

- Nancy Richards

'Writing the Self is an out-of-the-box, multi-faceted creation which will inspire many who want to write, speak and stir in non-traditional forms to just do it and let the grass spring wildly around them. What we have here is a journey in to 'bodymind' and beyond, a tapestry of conversations looping in and out and into infinite spheres of being. This anthology is truly a universe of creative possibilities.'

- Sipho Mthathi

A brilliant review of Writing the Self in the Cape Times
Published November 23, 2008

WOMEN WRITE THEMSELVES IN WONDERFUL ANTHOLOGY

BOOKS - Cape Times, Friday, November 7, 2008

WOW! That was the first thought that came to mind after reading this gem, Writing the Self - An Anthology of new writing (Women’s Writing Workshops).

Not that I want to be accused of plagiarising the Cape Times/Woman of Worth (WOW) award, but this anthology is truly a wonderful tribute to these women writers of worth.

Dedicated to the late Margaret Legum, whose poetry is included. Editors Anne Schuster, Annemarie Hendrikz and Maire Fisher decided earlier this year that the exceptional writing that flowed from Schuster's monthly writing workshops in Cape Town should be complied and shared with a wider audience.

At the recent launch at the Centre for the Book, the spirit of generosity that binds these women together was palpable as the festivities continued into the night with husbands and male partners joining the women in giving themselves a hearty pat on the back for this joint achievement.

Sarah-Anne Raynham, who did the design and layout, Clare Gibbon, who assisted with editing and Ruth Carneson, whose artwork appears on the cover, are all members of the "monthlies".

But back to the writing.

Short stories, short short stories and sublime poetry, while often reflecting the writers' African roots, all seem to elevate the essence of being a woman onto a universal plane.

An unusual feature is that the sections are divided not by subject matter, but according to the seven chakras that was the theme of recent workshops. The women worked with colour, the senses and the elements (earth, fire, water and air) which Schuster believes helped 'connect the writers with the deep energy source we all have inside us'.

For example, the works chosen to reflect the second chakra, with its water element, range from Legum's poem 'Beloved' to Nella Freund's 'My Wild and Ecstatic Woman' interspersed with an erotic prose piece on 'Purple Plums' by Anne Woodborne.

As I read - and re-read - this delightful anthology, it is an impossible task to single out any particular writer that is better than the next.

But, for me, Benita Loff's poem 'Seeing Fairies' dedicated to her autistic son, Luca, and Bridgette Whyte's reminiscences of the effect of the Group Areas Act in 'A different time', were particularly moving.

But then there is Cathy Stagg's 'A woman from another time' and Helen Douglas's 'Later, she'll ride her bike forever' and 'Miss Conradie and the angels' by Gillian Munn and Mary Monaghan's 'Poem of Desire' – just too many to mention.

So dip in, savour this book over and over again and share it with others.

A marvellous collection of poetry and prose - that is anything but prosaic.

A bonus: Schuster has included a detailed section on how to 'free write' and create poetry which she has adapted from her workshops to suit the needs of a novice. Try it - it's fun!

- Jean von Witt

LIVING ON THE FENCE

Poems by women who are refugees from various countries in Africa

Compiled and Edited by Mary Magdalene Yuin Tal and Anne Schuster

Come to this book to hear its voices and stories, its sadness and hard-earned pleasures. In these poems sixteen writers become known to us. And what sweet and illuminating recognition there is in their stories – profound, funny and private. The writers are women who have experienced fear and tragedy which linger in memory and the remembering body. And yet we will read the poems collected here not only for solidarity, for sympathy, but for the loveliness of the writing.

- Gabeba Baderoon

Amna Ngoyi (DRC), Amy Kashama (DRC), Epiphanie Mukasano (Rwanda), Flora Mandudu (Uganda), Florence Kituyi (Uganda), Juliette Dusabe Hakiza (Rwanda), Justine Nzayisenga Sibomana (Rwanda), Liliane Kwizera Limenyande (Rwanda), Mary Magdalene Yuin Tal (Cameroon), Maryann Tal (Cameroon),Ngwetoh Nchangmum Wanka (Cameroon), Peggy Kashama (DRC), Precilia Chuloi (Cameroon) , Tereza Mupanga (DRC),Tiye Tshilemba (DRC), Vanessa Mario (Angola).

WOMEN FLASHING

A collection of Flash Fiction from Women's Writing Workshops

Edited by Maire Fisher
Published by Women's Writing Workshops

Review of Women Flashing by Kim Donnelly in South Africa Writing Vol 1, January 2006

This is a 'must have' collection of flash fiction compiled from Anne Schuster's all women writing groups, edited by Maire Fisher and published by Women's Writing Workshops. These compact tales romp through the nooks and crannies of our every day experience leaving in their wake the sense that somehow, somewhere someone had been in your shoes at least once.

Rather than being strictly divided into genres the stories are poured out in a steady stream, land-marked along the way by lines of poetry by Colleen Higgs. Lines like 'I like to turn back', 'tenderness falls like nightfall' and 'finally to speak the unspeakable,' mark your way through groups of stories with a common thread.

This little gem belongs in your handbag, next to your bed or the loo, wherever it is that you take time out to reflect and see yourself in the greater scheme of things. This greater scheme is our daily living and how we respond to it. We fight with our social system, our families, our partners and ourselves. We are kind, naive, wise and ignorant - all depending on where we are standing at the time and this book is made up of one hundred and five possibilities life could have thrown at us.

A WOMAN SITS DOWN TO WRITE

This previous collection of 'Orts and Fragments from Women's Writing Workshops' was published in 2003.